Nora plans her death almost as well as she plans the Seder meal that is to take place without her. Her ex-husband Jose, who tellingly lives only a binoculars’ view away, finds her dead body as well as a mysterious old photograph. Although he does his best to foil Nora’s plans, it is clear, by the end, that he never stopped loving her.

“It may not sound like a comedy, but Chenillo loads the scenario with more Yiddishkeit than a gross of matzo, sure to elicit laughs and knowing nods throughout the Diaspora.”
- Variety

Pittsburgh Premiere